Wednesday, May 30, 2012

16 june 2012-Ritopek, Belgrade

In Growing up Amid the Historical Mysteries  of Proximity: Pros & Cons of Being Neighbours
Artists: Ana  Hoffner, Apartment Project   (participants of the Reciprocal Visit project: artists Endam Acar, Selda Asal, Volkan Aslan, Fatma Çiftçi, Zeren Göktan,        Deniz Gül, Gözde Ilkin, Ceren Oykut, Gökçe Süvari, coordinator Serra Özhan Yüksel; and of the Re-Locate project: artists: Mehmet Dere, Ha za vu zu, Suat Öğüt, Zeyno Pekünlü, Ilgin Seymen Gökçe Süvari; backstage: Selda Asal), Assaf Gruber, Dragan Ilić, Ha za vu zu (Güneş Terkol, Güçlü Öztekin, Özgür Erkök), Petra Elena Köhle & Nicolas Vermot Petit-Outhenin, Lia Lapithi, Bernd Oppl, Riikka Tauriainen

Curators: Isin Onol & Dimitrina Sevova

Opening and live event: 16 June 2012,
 6  pm, at ITS-Z1, Ritopek, Belgrade <http://its-z1.org/>

To  speak of ‘meaning’ and of ‘truth’ in the middle of military agitation, geopolitical calculations, suffering, the grimaces of  stupidity or else of lies is not ‘idealistic’: it is to get to the very nub of the thing. – Jean-Luc Nancy
The exhibition project and live events focus on the contradictory aspects of the notion of  being neighbours, in relation to varying forms of deterritorialisations,  reterritorialisations and the selective enforcement of borders,  identificatory models offered by overlapping, competing and contested historical narratives, as well as political, social and cultural interaction between territory and desires in a time of globalisation, mobility and migration, and how they combine to produce conditions of inclusion and mechanisms of exclusion.



The existing, seemingly insurmountable  incompatibilities in the formulation of borders, whether in the past or in the present time, find their ‘justification’ in the forming principles of the idea of territory and its borders  growing out of the collective space, temporal fantasies and memory, manipulation of interests by political elites and economic formations confronted and delimited by their  neighbouring formations. This leads us to relate these complex issues to a formal inquiry into the ways in which (self-)images of nation, race, gender, subjects are produced and naturalized,        and the role of a hunger for belonging and for a smoothed and purified historical memory in this process, interacting on the one hand with space-time characteristics, and on the other with  the discursive formation of knowledge-power relations – what Michel Foucault calls dispositive.        Space is structured by giving it a meaning, by naming it and identifying it, through language and narrative and such rhetorical devices as metaphors, as well as verbal and visual constructions of a ‘homeland.’

The borders of a territory would seem to be  socially constructed mindscapes and as such immaterial, but they are also the material embodiments of the economic and military  elaboration of disciplining and control procedures. The enforcement of ‘b/order’ categories is a political act, and        ideologically commands notions of value and truth, even as its immaterial forces translate at times into hard barriers and  walls of rock and concrete. But as Anssi Paasi puts it nicely, the existence of borders implies the possibility of  crossing them – even if sometimes at the price of taking a        substantial risk. Under what conditions can contemporary art practices in their globalized hybridity contribute to creating  new possibilities for transgression, overcoming the demarcation of image regimes constitutive of borders and subverting the naturalizations at play?

more photos: http://www.code-flow.net/neighbours/documentation/doc1.html

2 comments:

  1. Hello Gunes
    I would like to discuss with you a project in London, could you please send me an email that I can contact you and Ha Za Vu Zu? If possible before 16 Sept.

    Many thanks
    Nayia

    ReplyDelete
    Replies
    1. Hi Gunes, it is Nayia again, please use this email for me rather than the gmail account.
      nayiayiakoumaki@whitechapelgallery.org
      Many thanks
      Nayia

      Delete

About Me

My photo
Güneş Terkol takes inspiration from her immediate surroundings, collecting materials and stories, which she weaves into her sewing pieces, videos, sketches and musical compositions.She also member of HaZaVuZu artist collective and GuGuOu group keeps working. Terkol, born 1981, is a Turkish artist based in Istanbul. She graduated from Mimar Sinan University, Fine Art Faculty, Painting Department. She completed her master’s degree in Yildiz Teknik University Interdisciplinary Art Department. Selected solo exhibitions include Holographic Recording at Gallery NON in Istanbul (2014) and Dreams On The River at OrganHaus in Chongqing (2010). Selected group shows include the 2016 “ Live Uncertainty”, 53 nd Bienal de Sao Paulo, 2015 “Passion, Joy, Fury”, MAXXI,Rome 2015 Stay10th Gwangju Biennale in Korea (2014), Better Homes at the Sculpture Center in New York (2013), Signs Taken in Wonder at MAK in Vienna (2012) and Dream and Reality at Istanbul Modern (2011). Terkol has attended the residency programs at ISCP New York, 2013; OrganHaus, Chongqing, 2011 and Gasworks, London, 2010.